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暂无简介Plot Summary:No.18 in the Lumière catalogue really stands out. Most of their films were long shots of people in everyday situations, usually in a diagonal composition. So these poor fish did not have much moving space neither in their housing nor in the framing of the picture. The resulting film is all the more remarkable in its beautiful simplicity and could be regarded as a precursor to the aquarium videos that were quite popular about a 100 years later. Aquaria have been around since the Roman Empire where they kept fish in marble tanks. From around the year 50 they were able to improve the view of their fish by replacing one marble plate with glass. Fish bowls were developed much later and are nowadays not considered as suitable for most fish.
以自己最为熟悉的家庭生活为题材拍摄出来的影片，无疑是电影早期制作的最好的选择。在这一类的影片中Repas de bébé、Partie d'écarté、La pêche aux poissons rouges、Bocal aux poissons-rouges、Le déjeuner du chat、Repas en famille等等，是最具有代表意义的作品。George Sadoul曾对这些影片做出过这样的评价：“这些影片既象一本家庭的照相册，同时又像无意中拍摄下来的一部描写上世纪末一个法国富裕家庭的社会纪录片。Louis Jean Lumière拍下了一些很成功的情景，使观众在银幕上能够看到同自己一样的生活，或者他们所向往的生活”。这些富有情调和诗意的影片，洋溢着家庭生活的情趣，同时也充满了资产阶级的闲情逸致。
水是少数能让人快乐的东西。
卢米埃尔兄弟电影放映集1895-1905年之100
可爱
棒。这个视角。
拍摄对象的丰富化，从人（置于长镜头，对角线构图）到动物。